18 Comments
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Kristi Joy Rimbach's avatar

Wow, I was with you the whole way: the urgency, but moving slow as if in a nightmare, the confusion and panic. Vivid and heartbreaking.

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School of Blue's avatar

I felt every word of the experience, Rebecca. It is not possible to forget.

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Rebecca Cook's avatar

Thanks, Richard. I'm not sure, because of the shock I was in, if it has ever felt more than like a dream to me. It shaped us, no doubt, but it is like a dream. And not like a nightmare either. Just a long long ago dream I moved through.

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School of Blue's avatar

The punctuation I think has an hypnotic effect but for me, reading it the first time, it is visceral and terrifying. Impressed that you could re-live it in a way. (I am not sure I could.) Almost like therapy for PTSD. How it reaches to the present day and what it means now feels darned difficult.

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Rebecca Cook's avatar

More than the house burning was the loss of family. Everything fell apart, more than a death would have done. The pain of that as ensconced us, forever I think.

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Nazish Nasim's avatar

One of your best writings, Rebecca. Wow. Simply wow.

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Rebecca Cook's avatar

Thanks, N. It seems like I wrote it a 100 years ago, instead of....I don't know.....20?

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Mahdi Meshkatee's avatar

Each paragraph reads as one rib from the rib cage of the whole, Rebecca.

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Rebecca Cook's avatar

What a wonderful way to put it, Mahdi!

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Kathleen Hobbs's avatar

Wow

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Rebecca Cook's avatar

Thanks, Kathleen.

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Kathleen Hobbs's avatar

You’re welcome, Rebecca

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Alex McFadden's avatar

❤️

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Rebecca Cook's avatar

Why, Hey there, you!

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Alex Dawson's avatar

What a powerfully written piece 😮 👏

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Rebecca Cook's avatar

Thank you, Alex. It's an old piece, and somewhat different from my newer work, but I still love it. The editor of New Orleans Review actually called me at home to go over the poem with me. I didn't know editors ever did that.

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Alex Dawson's avatar

Wow that’s extremely cool!

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Rebecca Cook's avatar

It really was amazing. The editor told me she did it all the time.

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